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Length: 70 minutes
Price: $19.95
Format: DVD
Available: Now
Out of the somber gray limbo that fills the screen, a mountain
appears near the bottom of the screen through the mists.
Narration: Anywhere else in the world this would be considered
a mountain. Here, it is only a small peak in The
Canyon.
As the narrator speaks, the fog and mists clear away, suddenly
revealing the Grand Canyon in the background. Up music. Titles
play.
From this point we develop a short history of modern mans
involvement with the canyon. Using B&W stills, Major
Powells
1869 expedition down the Colorado River and its historical significance
will be highlighted.
Continuing to use B&W, we take a look at the Kolb
brothers who explored and publicized the canyon extensively during the early
part of this century. They were perhaps instrumental in the creation
of Grand Canyon National Park because of the public awareness they
generated by their writings and pictures.
We then move to present day, beginning with the grandeur of sunrise over the canyon in time-lapse photography. Music is congruently
powerful and dramatic (but low key) as shadows move across the
myriad textures and faces of rugged canyon walls in shot after
shot.
The
arrival of spring has sent flowers pulsing
into full bloom. They fill the screen as the camera zooms into
each flower, literally taking the viewer into the heart of each
blossom. Mule deer browse in the forests on the rims of the canyon
and fawns cavort with each other and nurse their mothers. On the
North Rim, the Kaibab
Squirrel, rarest squirrel in North America, displays his
white tail, searches the forest floor for pine cones, and sits
in a tree insouciantly peeling his find.
On the edge of the canyon, cicadas buzz in the morning air and
canyon lizards pick up ants as they climb around the trunks of
juniper trees. Suddenly the lizard lunges for the cicada. The cicada
makes a narrow escape, only to be plucked up and eaten by a huge
raven who has just landed under the tree. The raven pauses on the
lip of the Grand Canyon briefly, then launches himself out over
the abyss. The camera follows him a moment, then cuts to the ravens
point of view as we, the audience, now soar over the various formations
within the canyon. Music sustains our flight and our mood.
Now clouds begin to coalesce in the sky; building,
growing. Shadows of clouds race across the broken canyon. The sky
darkens, lightening flashes and crashes. As the rain begins to
fall, a chipmunk darts into a hollow log. A horned lizard scurries
to avoid the downpour as the chipmunk looks out from his dry hole.
In the distant desert, its not even raining, but a wall of
muddy water rushes down a dry riverbed.
Flash flood! The rolling water races for the Grand Canyon.
In the Grand Canyon, rivulets run down the steep slopes. They
build and swell. Muddy streams now course into the canyon, or cascade
over ledges. The ten-million-year process of erosion that created
this canyon is still an active, powerful force!
Slowly the pounding drops recede, the mists clear within the canyon
itself, the runoff water slows and a crack in the clouds allows
a rainbow, as brilliant as the clouds are dark, to virtually light
up the canyon itself. As the storm quiets, it is almost sunset
and hot flashes of lightning still puncture the distant horizon.
Nightfall and the clearing sky allows us to see the full moon
rising through pine trees as a chorus of frogs and crickets make
the still air vibrate with what seems to be a "joyful
noise".
Morning
finds us now at the western end of the Grand Canyon, near Toroweep,
a remote, little-visited area unknown to most. Depressions
in the rock mesas above the Colorado River form tiny ponds here
after the rains. Three thousand feet above the river, it is a hot,
barren environment. But, magically it seems, there is life here.
Tadpoles and shrimp have appeared in these ponds from nowhere.
The pond will last only a few days, so the tadpoles must quickly
become frogs. They sprout legs just as the searing winds and radiant
sun dry up the last of the water. They must lay eggs in the rapidly
cracking mud. Eggs ensure the flow of life for future generations,
even as life leaves the last frog on the baking mud.
On the plateau, the endangered desert tortoise leaves his burrow
and feeds on a small green plant. As he pokes along, coming over
a ridge, he encounters a tarantula. The relatively huge tortoise
seems intimidated by the tarantula, and clumsily puts himself into
reverse, trying to avoid the hairy spider. The tarantula, apparently
trying to escape the heat of the sun, is attracted to the shade
created by the tortoise, and he advances menacingly. Seeming a
bit panicked, the tortoise bites the spider, first on the leg,
then on his large abdomen, whereupon the tarantula takes refuge
in a clump of grass, subdued.
The canyon slumbers in the sun. Shadows play over its massive
walls; dancing, climbing, descending. We can see the shadows in
time-lapse as the circling days grow hotter.
In the forest, chipmunks feed on
maturing grass seeds and lazily stretch in the sun across a fallen
log, sometimes scratching, darting here and there with his chipmunk
energy. A coyote comes out on the meadow to feed on fat crickets,
and he snaps at hordes of grasshoppers in an irritated fashion.
Nearby a great blue heron shakes grasshoppers off; first one foot,
then the other, also in an irritated fashion. He gives up and flies
away. The coyote continues to hunt. Shadows grow long. The sun
settles into clouds that suddenly are transformed into radiant
golds and reds. Shadows move across the canyon once again. The
disappearing sun bleeds the canyon of its color.
As the morning sky lightens, wranglers saddle mules. They are
in silhouette, slinging leather across the backs of the reluctant
animals.
Now, tourists are helped up on their respective mules after a
speech from the head wrangler. Ponderously, the ride gets underway.
Down they go, descending through the ponderosa pines and into the
very bowels of the canyon. Soon they are dwarfed by the towering,
soaring cliffs on one side, and by sheer
abyss on the other. The
riders are nervous, the mules bored.
In another part of the canyon, a lone
hiker explores at his pace.
He carries water in his pack. Not to do so risks dehydration, even
death; even in a single day. On this day the hiker passes beneath
a spring that dribbles out above the trail from the canyon wall.
He pauses to catch a small stream in his mouth, then continues
along the trail.
Coming to the end of the trail, he looks over the ledge at a 500-foot
drop. Below that is another 1,000-foot sheer wall. The camera zooms
back to show the stupendous immensity of the canyon as the hiker
recedes and vanishes into a speck on the canyon wall.
These
same trails have been used for thousands of years. The Anasazi,
the "ancient ones", lived in and around the Grand Canyon
long before Spanish conquistadors came here in search of "cities
of gold". And sometimes it seems you can still sense these "ancient
ones" here among the ruins they left behind. (At this point
the camera has been looking at some stone
structures built by the
Anasazi, and now, over those same scenes, the ghost images of Indians
faintly appear, storing their crops and carrying water from the
cliff-side spring.) If you linger in these quiet places, you may
fancy that you can even see their ghosts. There are over 2,000
sites where they left buildings or petroglyphs, the figures carved
in rock faces.
Some Indians remain here today. In Havasu Canyon, the Havasupi
have lived along the beautiful Havasu
Creek for over 600 years.
They continue to do so, raising corn, beans and squash as they
always have.
 Havasu
Creek rises from a spring eight miles away and flows into the Colorado
River ultimately. At Lees Ferry on the Colorado, a ferry
was operated 100 years ago, affording the only place to cross the
river for hundreds of miles in either direction. Today, it is the
point of embarkation for virtually all the float
trips down the
river. River runners dont face the unknowns that Major Powell
did 1869. But they still face the excitement and the thrills, and
the hint of danger is there.
The
canyon walls loom overhead, and the rapids make each runner feel
he has claimed the spirit of Major Powell. There are secret places
to explore here. Side canyons pump more water into the Colorado
River and Anasazi ruins are numerous. They invite the curious.
These formations stand like timeless
castles. They are, in fact,
not timeless. This awesome, gorgeous splendor is only a passing
moment in earths history. The days spin by. They have circled
over these rock formations billions upon billions of times. Ultimately,
the Grand Canyon may end as it began, cut down by the very forces
that created it, to a flat, level plain.
Customer Reviews:
• Grand Canyon
Reviewer: Tom Carr • Palos Verdes Estates, CA
Dear Mr. Johnson,
Last night Carl, Peggy, Marie and I attended
your travelogue about the Grand Canyon
at El Camino College, where we have been
regular "travelers" since 1984. "What
are going to see tonight?" I asked, as we
drove there. "Oh, it's the Grand Canyon",
Peggy answered, "sounds like a sleeper!"
But I'm writing to tell you that it was
no sleeper, it was an outstanding and magnificent
attention-holding experience of the first
order, the subject of much praise as we drove
home. And this is my first letter about entertainment
of any type!
I'm a retired engineer, but have been a
serious amateur photographer, owning a Nikon,
Hasselblad, and a 16mm Bolex since the mid
50's. Since retirement I have assisted my
son in his business of producing industrial
and special interest videos, doing most of
the work on two 58 minute videos myself.
I enjoyed it very much and have a fairly
good idea of the training, work and skill
that it takes to conceive, outline, film,
edit, script, score and produce a successful
film.
I thought the exposures, angles, zooms,
cuts, fades, transitions, scripting, pacing,
and music were all excellent, combining superb
artistic taste with top technical skills.
I was enthralled by the time lapse photography
of the sunrises, clouds, storms, seasons,
and the use of the zoom and macro features
to show life and nature in the Canyon from
the macro to the micro. I particularly liked
the zoom back from your partner on the dead
end trail 'way across the canyon, where a "person
can get lost...", and the transition
between the ants and time lapse of the tourists
on the south rim. And, of course, the raft
trip and the mules, pumas, deer, snakes,
lizards, ect. were all very beautiful and
entertaining.
In summary, I feel the "The Grand Canyon" was,
in concept and execution, as near to perfection
as I have seen, and, knowing the time and
dedication that you must have put into it,
I wanted you to know how much we enjoyed
and appreciated it.
Thank you for an excellent experience
about a magnificent place!
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